Copyright © 2008-2020 DXOMARK. Sony A6600 : Tests and Reviews Scores Specifications Measurements COMPARISON SELECTION (3 selected items max.) Sony A6600 versus rival model with similar score. That’s not the case here, however. However, while the similarly-sized APS-C Canon sensor is 0.4 bits lower at base, the smaller Four-Thirds sensor in the Olympus OM-D E-M1 Mark II is only 0.1 bits lower than the Sony at 23.8 bits. What are the best lenses & bundles for the Sony a6600? Nevertheless, the Sony A6600 is capable of producing superb-quality images, and the inclusion of its Real-Time Tracking Autofocus for both stills and video, along with a larger battery over its predecessor, make it an appealing upgrade over the A6500. We don’t understand this logic here. Overall, it works well and makes for a camera that is a strong performer in low light and handheld video applications. It has a native ISO range from ISO 100 to ISO 32,000, expandable up to ISO 102,400. Physical and ergonomic changes are some of the significant updates seen in this particular release. Scopri il prodotto Fotocamera α6600 premium con APS-C e attacco E di Sony & esplora tutte le caratteristiche della gamma Fotocamere. Of course, if you’re just looking for a solid camera with great image quality, great autofocus performance, and a few other useful features such as stabilization and … I didn’t get to try the Sony A6600 in tougher conditions like low light, though, or have a look at its Raw files, so that’s something that’ll have to … The low-light performance when shooting video on the a6600 is better than typical. Overall, this camera does wonders to lower the barrier of entry in your pursuit of content creation. Like most users, we too hoped for a redesign here. And in the fall of 2019, we have it here. It features Movie W/Shutter, allowing users to program the shutter as the movie start/stop button. Can this camera defeat one of the most popular camera releases of 2018? low light possibilities with the Sony 35mm F/1.8 OSS Sigma 56mm F1.4 DC DN: In the 50mm range, there are a number of good full frame and aps-c choices. Not only does the Olympus have an extremely extensive and well-thought-out lens range, the Mark II is now at a similar price to the Sony. But, in short, yes, it can, and it will work for many users. Noise is well managed up to around ISO 6400, when it starts to become evident even at relatively small sizes, such as A4. This addition allows users to finally monitor recorded audio without the need for external devices, such as a recorder, to do so. While this is sufficient for most users, it is easily outclassed by rivals at this price point. That slight difference makes this camera above all apc cameras recently launched. The camera only has a single SD card, which, unfortunately, is only UHS-I compatible. The A6600 achieves the maximum dynamic range at its expanded setting of ISO 50 (ISO 70 measured), though ISO 100 offers an identical result. The rear display has an unimpressive resolution of 921K dots, significantly lacking compared to the competition here. However, as this is only the second iteration in the series to feature built-in stabilization, it doesn’t perform to the levels seen in Panasonic or Olympus cameras. It only shoots 8-bit 4K video, 4:2:0 internal, and 4:2:2 external. This addition has afforded the camera with a larger and more pronounced grip, which is more suitable for larger hands. It’s a mirrorless camera with a 24.2-megapixel CMOS sensor, stabilization, unlimited 4K video, and the longest battery life of its peers. It has built-in focus magnification and focus peaking. While measured ISOs are dissimilar between the Sony and Olympus, their color sensitivity curves are practically identical from ISO 800 onwards. In challenging light, such as a combination of very bright lights and dark shadows, or backlighting, the a6600 delivered well-balanced exposures and dynamic range with great detail in most situations. This new capability allows the camera’s autofocus to select dynamically between tracking AF and eye and face detection AF modes, without additional user input. So, overall, it’s a helpful and enjoyable feature but remains slightly challenging for professional applications. The camera maintains the micro HDMI port, forcing users to use an adapter to convert it to a full-sized HDMI. Brutal. The reality is that nothing like this existed before its release. Typically, 3.69M dot viewfinders are more in line for what we expect for a flagship body released in 2019. The Sony A6600 24MP sensor achieves an overall DXOMark score of 82, which puts it in 21st place (joint 4th) overall in our database of APS-C and Four-Thirds sensors used in mirrorless cameras, dropping to joint 6th when we include APS-C DSLRs. While niche, it is a useful addition for those who shoot portraits and often switch to landscape for alternative framing. Even at ISO 25,600 (ISO 18001 measured), the Sony just dips below our 20dB benchmark for acceptable image quality, staying a little over + 0.1 EV ahead of the Canon EOS M5. Much of the improvement is the result of the inheritance of the larger Z series battery, a feature typically found on only recent full-frame cameras. Its release does represent a new level of capability in the APS-C world, however. Many have wildly anticipated when the new model would come to fill in the predecessor’s gaps, initial release three years prior. We’ll also look at the 24.2MP Canon EOS M5. Sony A6600 has a big advantage in this regard because it has a sensor based image stabilization (IS) which means that all the … Considering the Fujifilm XT-3 and Black Magic Pocket 4K are at this price point, this camera offers very little to sway the professional videographer. However, it does create a slight departure from the traditional design during the process. The a6600 has 425 phase and contrast detection po… Unfortunately, you cannot enable tracking in video by half depressing the shutter, either, as you do in stills. Users can expect usable images up to ISO 6,400, where the details are sharp, with only minor color … Sonnar® T* E 24 mm F1.8 ZA, E 50 mm F1.8 OS If you want to avoid this, then 8 fps is best as it delivers better live feedback between frames. Sure, it’s not a new generation in Sony’s APS-C lineup yet. The A6600 sensor is not BSI but uses thin copper wiring which is supposed to improve conductivity, enhance circuit processing and optimise light gathering (so a similar end goal to the BSI structure). The Sony a6600 is the new flagship model in Sony’s famous APS-C sensor mirrorless line of camera. UHS-I is the slower format. You can now register spot focus points to specific camera orientations, whether horizontal or vertical. Sony is the only manufacturer offering a single unified mount between both formats and the best option for the smoothest transition. As we’ve already mentioned, the Olympus OM-D E-M1 Mark II is a premium model that is pitched at a similar market segment as the Sony A6600. The A7 III features a vast array of focus areas: 693 phase detection and 425 contrast detection points that cover 93% of the frame. However, its main drawback is a lack of resigned with the current sensor in use with these cameras, not necessarily it’s resolution. It’s an excellent camera. This means the a6600 gets no increase in image capture resolution, no improvement to low light shooting capabilities, and no increase in dynamic range either. However, in hand, you immediately feel the difference in build quality and form. This latest release sits at the topmost of their lineup, replacing the previously release a6500, as the newest flagship camera. It maintains the 11 fps continuous burst rate with mechanical shutter and autofocus from the predecessor. This system is the most notable addition to this particular camera. Also, if an object or other subjects momentarily obstruct them, the system still confidently maintains proper tracking. When shooting in low light, the A6600 is rated to focus from around -2 EV to 20 EV (ISO 100 at f/2.0), so it should prove fairly capable in low light. And the debut of this camera represents massive innovation with an inkling of what’s to come as well. If you want a lens to interchange between your A6600 and a full frame camera, then you should look at the Sony 55mm F/1.8 , but no reason to spend that much if you’re only using the lens on the A6600. However, the reality is that real-time autofocus works so well that it can easily never be disabled. This may seem surprising since, at a glance, both cameras greatly resemble one another in design and controls. It’s positioning on the far left corner prevents your nose from unnecessarily interacting with the touchscreen during use. Users will experience enormous delays as the camera sluggishly clears the buffer, reducing the camera’s overall strength for continuous shooting applications. SONY a6600 has IBIS which makes pictures more sharp and perfectly in focus. This gives the Sony an advantage when capturing high-contrast scenes at higher ISOs (such as when hand-held, for instance). It now features a headphone input, making it the first in this lineup of Sony cameras. The reality is that nothing like this existed before its release. However, Sony removed the built-in flash found in its predecessor. E 55-210mm f/4.5-6.3 OSS Manny notes that this combination is likely the best you can get in terms of a Sony APS-C setup, and it's hard to disagree. This should help with stills shooting in low light, to be sure, but also combines with excellent autofocus tracking to make it the best crop-sensor video shooter Sony currently sells. Vario-Tessar T* E 16-70 mm F4 ZA OSS, Sony NPFZ100 Z-series Rechargeable Battery, Sony 64GB High Performance Class 10 UHS-1/U3 SDXC. Sony A6600 and Sony A7 II sensors have been tested by DxO and the results show that A7 II has a better overall score of 90, 8 points higher compared to A6600… As Canon’s top-of-the-range APS-C mirrorless camera, costing around $1000 when launched in 2016, the EOS M5 is aimed at much the same type of user as the Sony A6600. If your budget allows purchasing this camera, the reality its the absolute best offering in Sony’s APS-C lineup to date. Overall, if autofocus is crucial to you, this camera offers industry-leading performance and delivers a9 capabilities into an affordable APS-C body. While this capability is nothing revolutionary for Sony, their 1080p remains more flexible than its rivals. It’s the first Sony APS-C camera outfitted with the new NP-FZ100 battery, an addition initially introduced with the newer Sony a7 models, namely The a7 Mark III. The a6500 footage looked significantly better than the a6300 at high ISOs. Even though the camera has image stabilization, it makes only a marginal difference on rolling shutter in 4K. Gone are the days of creating custom buttons or relying on Central Lock-On AF for tracking. Video capture is 4K/30p full-pixel readout without binning from essentially a Super-35mm area with HLG and flat log options. Unlike the competition, this camera doesn’t go as far as to assemble the timelapse movie in-camera. The question remains, is enough to justify the demanding price? It has also ceded some ground to rivals’ smaller Four-Thirds sensors (albeit most likely Sony-made); as for APS-C, Canon has trumped Sony in resolution with a new 32.5MP sensor. Sadly, Sony still forgoes that with this camera, we’re not sure why they keep neglecting this particular addition on the a6000 series cameras. It houses a 425 AF point system with a combination of both phase and contrast-detect points covering 84% of the imagining area. With that, you can shoot as long as your battery and SD card allows. And, unfortunately, it makes using the camera in the electronic shutter mode useless. In this case, the rolling shutter is very obvious when panning during 4K recordings. This construction provides excellent weather sealing and resistance to both dust or moisture. In the end, it makes all previous iterations in the series mostly irrelevant for those who are new to Sony. The A6600 achieves a maximum dynamic range of 13.4 EV at its expanded setting of ISO 50, and it also has an excellent high ISO dynamic range. Although it has a very good maximum color depth of 13.4 bits at its expanded setting of ISO 50, it doesn’t fare quite so well after that, especially at mid and high ISOs. Overall, it stays mostly true to the original compact heritage of the series and remains a small camera. Low Light Performance. Its stabilization plus added capabilities make it the superior choice between the two offerings. Instead, colors are more natural and faithful than ever before. Overall, it is a compelling addition. But, with the decision to remove the popup flash, space now goes to the addition of an extra custom button, C3. The A6600 sensor is strongest in our Sports (low-light ISO) category, and at 1497 ISO, achieves the highest value we’ve measured for this sensor type. Not surprisingly, a strong result in the Sports category usually means a strong result in the Landscape (dynamic range) category, and so it is here. If you’re someone who uses the function for fill, this could be a potential deal-breaker depending on your particular usage. Gone are the days of looking at a list and guessing. While simultaneously providing an extra level of professionalism video shooters appreciate. E 18-135mm f/3.5-5.6 OSS The change of sensitivity behavior is clearly noticeable early on, between ISO 200 and ISO 400. With the inheritance of the new battery, the camera can now easily achieve a full days battery life. In spot or center, the Sony A6600 only considers what is in that spot or the center (per example, if your subject is … All three in our database—the M100, the M5, and the M56—perform similarly, though the 24.2MP Canon EOS M5 is arguably the closest direct competitor to the Sony A6600. Users can also alter the functionality so that touch enables Touch Tracking instead. The immediate question is, how does it compare to the rest of the entries in this lineup? With the addition of a more substantial grip, the camera begs for a front adjustment dial. It represents the merging of two distinct releases from the manufacturer, the a6400, and a6500. The Sony A6600 is the follow-up to the A6500, and is now the premium camera in the company’s range of rangefinder-style, mirrorless interchangeable-lens models that feature an APS-C sensor. Sony has also introduced a new My Dial function. With a well-rounded feature set, the Sony A6600 is an attractive camera at a relatively affordable price. The reality is that Sony is doubling down on the same 8-bit codec from earlier generation cameras here, causing them to fall behind the competition aimed at serious filmmakers progressively. Users can expect usable images up to ISO 6,400, where the details are sharp, with only minor color noise in the shadows. It certainly outperforms the Canon EOS M5 for color depth at low to mid sensitivities, but even then, the Olympus has a marginally higher color depth at ISO 400 (measured ISO 162). Overall, this addition is one of the primary highlights over its predecessors, and it’s number one upgrade over earlier models. It just oozes that aura of quality. More importantly, with the exception of ISO 200 (measured 142), the Sony has a wider dynamic range than either rival at every sensitivity setting up to ISO 102,400. E 55–210 mm F4.5-6.3 OSS It features a Shutter Auto White Balance lock, which maintains a set white balance during a continuous burst for a more consistent color. Over the previous iterations, Sony has continuously refined and updated both the feature set and performance of these cameras. The wider your Aperture, the more light you'll get onto the sensor of your camera. SNQ may or may not satisfy your desires, though, as most rivals output at 4K UHD, not 1080p. In today’s market, Panasonic and Sony are the only two manufacturers who offer this particular removal. A maximum dynamic range of 13.4 EV is excellent for this size sensor, and like most typical sensors, it achieves this score at its lowest sensitivity. It scores camera sensors for color depth (DXO Portrait), dynamic range (DXO Landscape) and low-light sensitivity (DXO Sports), and also gives them an overall score. For vloggers, this is among the best vlogging cameras on the market to date. Like the a6400 before it, this camera also removes the artificial 29 minute and 59 seconds movie record limit. This mode allows users to shoot between 1-120 fps for stop motion or slow motion, respectively. Despite the compact dimensions, there’s a 2.3 M-dot EVF and a 3-inch, 921k-dot touchscreen LCD that can tilt 180 degrees for vlogging and selfie use. The amount of times you may want specific control of focus is rare with this camera. Indeed, you would have go back to the 2011 Sony NEX 7 to see a difference of 0.5 EV. Outside of this, the display also supports touch shutter and can act as an AF touchpad when composing via the viewfinder. It can now shoot 4K video in HDR as well, further improving the camera’s dynamic range and adding slightly more detail. Not only that, but the touchscreen still lacks menu or user interface interaction. In addition, the Sony FE 70-200mm F2.8 GM & FE 100-400mm f/4.5-5.6 GM OSS lenses are the ultimate options with pro-grade image quality and build, but they are too expensive for the Sony a6600 users.