In his post Yoakam life Anderson has released three albums any fan of jazz-blues, roots, or even surfy honky-tonk ought to add to their collection poste haste. I think anybody who plays guitar and writes songs would be interested in this, especially now, because everything is going to home recording. And I know I did some pretty radical shit, but that said, there was a whole bunch of stuff left off the table that just wasn’t right. Even Things Up, his 2011 release, found Anderson singing lead again for the first time in 10 years, and his bluesy vocals are a great foil for his Chicago-blues-meets-country-swing songwriting. And then I had a guy on my label that was really interesting. Pete wanted a classic hollow sound and look, but with the ability to play at higher volumes without uncontrollable feedback. Anderson is most known for his guitar work with, and critically acclaimed production of, country music star Dwight Yoakam from 1984 through 2002. Anderson created all of the backing tracks that the contestants used in competition, acted as a judge and bandleader at the finale which featured B.B. And you put together some guitars too, right? For slides, he’s been using his signature Rock Slide. You told me years ago that when you first took the Dwight Yoakam gig, you were coming from a background of more of a bluesy player. Reverend teamed up with country/roots-rock guitar legend and Grammy winning artist/producer Pete Anderson to design a hollow body guitar. So I fall on the blues side of the page. This is a great home for those people. They’re just brilliant, and they’re really comfortable. Not one, but two Pete Anderson PA-1 RT Signatures from Reverend Guitars, plugged straight into a Cornell Romany Plus. It created more of a piano sort of thing. It’s not super difficult, it’s just that you’ve got to kind of slap yourself and go, ‘Quit lookin’.’ It’s like you’re at the nude beach, ‘Quit staring, you’ve got work to do!’ So that’s kind of how I look at it. Country/roots-rock guitar legend and Grammy winning artist/producer Pete Anderson is well known for his vintage T guitar. I think that’s a great analogy that people will really be able to understand. And then time is — one of the kings of time is Albert King, because he could put the note on the back side. Anderson: Yes. And I thought that would be my best way to re-introduce myself, my album, and what I’m trying to do. And he just fell off. And that requires my concentration on everything that I’m doing. I align it with filmmaking, so studio would be the location, actors would be the musicians, script would be the songs, the engineer would be the director of photography, and that’s how it works. Reviews with Bill got exactly who I was and what I was doing. That will be cool. Our Guitar Dept. How do I communicate with the musicians? The strings have some girth to them, but I’ve noticed that I’m playing a lot more percussive, piano-like playing, than string-bending. Suffering is … There were some awesome backing tracks that you laid down there…. I was in the house band, I created the backing tracks, and I was one of the judges. That was just the path I took. Since 1984. To import a preset or bank in GUITAR RIG, proceed as described below: Open the stand-alone version of GUITAR RIG 5. It was very clique-y, very compartmentalized in how they do it. And then I could go around the country and do producer seminars, guitar seminars, and play a gig. And so that’s what has happened to Americana, and it’s pretty darn cool. So right now I’ve started sort of fumbling around with stuff. I love instrumentals and they’re, in my case, really difficult to write because they have to have meaningful melodic heads, musical statements, and somewhat creative chord changes. I was limited to Bakersfield style and whatever I could do with that. Now I’m in the center of the stage, playing guitars that I designed, through amps that I designed, with slides that I designed, with pickups that I designed. Those things [playing straight minor pentatonic] aren’t going to work, unless it’s like a funky country song. Once I committed to being Pete Anderson, guitar player, and was concentrating on me as a guitar player, I’ve been really conscious of staying on my road. more ... Rig Rundown Best Ofs: Vintage Amps. May 16, 2017 - Clips from Pete Anderson's clinic and performance at The Guitar Store in Seattle, WA last night. King licks, and things of that nature because I could, and because it was different from what everyone else was doing. I want to play, and I want to be able to play whenever I want to. I looked it up online. I think he’s from Brooklyn. He said, ‘Man, this record is great.’ He’d help us with the blues world, because he was all about helping. And the I did a Tele-body with them called the Eastsider, which we’ve been selling. There were probably a number of things motivating me, but, thinking back on it, watching Pete play live was probably the one thing that most made me think, This is so cool I've got to give it a try. But I didn’t have a pathway, and I hadn’t studied music yet when I first started, so it was kind of difficult for me when I first started. And it’s getting really good. The country music superstar has a new signature Fender guitar – an Esquire with a secret weapon. Two of Pete Anderson's signature Reverend guitars are now offered in an exclusive gold flake finish. I moved the studio to my house. They pretty much did whatever I asked and turned into this guitar called the PA-1. I really love the pickups, they’re great, great, great pickups. He went through about 4 prototypes to get it right. Anderson: Yeah, absolutely! Premier Guitar’s world-famous Rig Rundowns take you backstage to explore the live gear used by your favorite guitar and bass players. Coco Montoya is a friend of mine and I spoke to him. Anderson’s latest release, Birds Above Guitarland, showcases the maturing musical taste of an artist who easily stretches from rock to blues to country to surf to Wes Montgomery-inspired jazz. It always has, but before I did it from the shadows, or from stage right when I was with Dwight. I call it the “Three T’s.” Tone, time, and taste. Whether you’re into shred, country, indie, or classic rock, Rig Rundowns give you the lowdown on the instruments, pedals, and amps powering the biggest acts on the road today—and often we even coax them into demoing their favorite settings. It’s called the PA-1. going on tour — everything I did was about playing guitar. D’Addario strings. I have a real Bigsby on it. And I’ve just got to concentrate on being a really great Pete Anderson. I didn’t play for me. So I said, ‘For the first time in my career, I’m going to just commit to being a guitar player and work on my career as a guitarist, and let the production be secondary.’ Instead of being a producer who plays guitar, I wanted to be a guitar player who produces records on the side. And I told him he needed to make some glass slides, because I sort of never had played glass slides, and then I switched over because I found out they were warmer. Return yourself back to the motherland (laughs). I was already die hard Tele. But other than that I try to get to where I can improvise, and be spontaneous, and amuse myself. It’s a semi-hollow body, and it has a piece of wood down the middle, but very narrow, L-shaped where the bridge is pinned. It’s a laminated, arch-top, f-hole, Bigsby, P-90s. Also, really the next thing I’m going to do, I’m going to do a new guitar instructional DVD. And the only guitar I had in my arsenal was an Epiphone Joe Pass that I had gotten from them, a Korean thing. I’ve got your most recent disc here, Birds Above Guitarland, and the one before that: Even Things Up. Cables are from Planet Waves and guitar picks are Jim Dunlop 1mm Nylon picks. Because it starts to fluctuate as you move away from it. I listen to a lot of Wes Montgomery. Anderson: Yep. I could sell enough records with Mom and Pop stores — who were my pals — back in the day I could push out five or six or seven thousand, which was a lot in the indie world. With Pro Tools and what I know, and what my engineers know, making a great record is not a problem. I started with an acoustic guitar, and when kids my age were infatuated with the Beatles and playing parties and doing that kind of stuff, I was playing Mississippi John Hurt, and Dylan tunes, and Dave Van Ronk, and folk stuff. You’re always working on new music, right? I did two tours during my time with Dwight, one in ‘95, and one in ‘97, but it was really in the middle of Dwight’s career, and we were concentrating on that. And when you go out to do a play, it’s live, and things happen, and there’s interchange. Reverend Guitars and Basses are made with Korina bodies, loaded with Reverend's custom pickups. He’s famously driven and single-minded, constantly seeking out great instruments and unique sounds to build a unique catalogue of stellar guitar music. The guitars feature a Boneite nut and Reverend's Bass Contour Control while the basses are stocked with Hipshot Ultralight Tuners and 5-piece maple and walnut neck – all for maximum performance. What’s going to be a problem with this artist? Well now that’s changed, because not so many eyes are on the big guys. The Pete Anderson Trio playing "Blue Guitar" from their record "Even Things Up". The second record I had a much better view of concentrating on my singing and how important the keys were, because I wasn’t really singing in the right keys for my voice. Country music fans, and particularly those who appreciate the rootsy, Bakersfield stylings of superstar Dwight Yoakam know too, and probably miss the classic line-up of Yoakam’s band, which included Anderson as lead guitarist and producer for nearly 20 years. I have those in the back of my mind.